By the time it reaches your desk — face down, passed along by someone whispering that it's for Thursday — six people have already been in it. You can see all of them. Four have written "Good luck in your new role!" Two have gone with "You'll be missed!" and an exclamation mark. Someone has drawn a small sad face.
That is the actual problem with leaving cards, and no amount of thinking about the perfect sentiment solves it. You are writing in public, after everyone else, in a space the size of a stamp, about a person who is usually sitting about ten metres away and will read every entry in one sitting.
Two things follow from that.
Being generic is worse here than anywhere else. On a birthday card, "happy birthday, have a great day" passes unnoticed. On a leaving card it sits directly underneath four identical versions of itself, and the person reading can see exactly how much thought went into each one. The bar is not eloquence — it is simply not being the seventh identical entry.
One specific detail is the entire job. The project you got through together. The thing they always did that nobody thanked them for. The morning they covered for you. Nine words about something real beats forty words of good wishes, and it is the line they will still be able to picture years later.
The wording below is grouped by your actual position — how well you knew them, whether you managed them, whether the circumstances were difficult — because that, and not the occasion, decides what you should write.
Read what is already there before you write anything. This takes ten seconds and it is the single most useful thing you can do, because it tells you which lines are already taken and roughly how long people are writing.
Then: one specific thing, one good wish, your name.
The specific thing is the part that matters. It does not need to be profound — a shared project, a habit of theirs, a moment they helped you out. The good wish can be as ordinary as "good luck", because by then you have already said something nobody else could.
On length, match the space rather than your feelings. If the card is half full, three lines. If it is nearly full, one sentence written small in a corner is better than cramming a paragraph sideways up the edge.
Six things that reliably land badly, most of them common.
Two practical notes, since somebody usually ends up running this.
Start it before the last week. Leaving cards die on the desk of whoever is on holiday. If the leaving date is Friday, send it round on Monday of the week before, not Wednesday of the week itself.
Remote colleagues get missed every single time. The paper card goes round the office and the three people who work from home hear about it afterwards. If part of the team is remote, or the person is leaving a distributed team entirely, a group leaving card solves the geography — one link, everyone writes their own entry from wherever they are, and it arrives complete. It also removes the queue problem in one respect, since nobody has to write around someone else's handwriting and the card cannot fill up.
For longer wording rather than card-sized lines, the farewell messages for a coworker collection has more material, and funny farewell messages covers the humour at greater length than the card-length jokes above.
One specific thing about working with them, one good wish, then your name. The specific detail is what makes it land — a project you got through together, something they always did, a time they covered for you. Read the existing entries first so you are not the seventh person writing "good luck in your new role", which is the most common mistake and the most avoidable one.
It is the standard British phrasing for a farewell card given to someone leaving a job, and it is doing two jobs at once: expressing genuine regret that they are going, and congratulating them on whatever comes next. That double meaning is why it works so well as an opening line. Say it, then add the specific bit, which is how most of the wording above is built.
"Thanks for everything — really" or "It won't be the same. Go be brilliant" both work on their own. Short is often the correct choice rather than the lazy one, particularly when the card is nearly full. One sentence written properly in a corner reads far better than a paragraph crammed sideways up the margin.
Yes, and humour usually lands better than sentiment in a work leaving card, because everyone else has gone sentimental. Aim the joke at the situation rather than at the person — the printer, the meetings, the fact that you now have to do their job. Avoid anything about the company itself if a manager is signing the same card, and avoid anything about why they are leaving.
Keep it short, warm and honest. "Best of luck in the new role, it was good working alongside you" is completely sufficient, and nobody expects more from someone in another team. Trying to sound close to a person you have spoken to four times is more awkward than being brief, and it is obvious in a card everyone reads.
Say less, and make it warm rather than celebratory. Skip "congratulations" and anything about exciting new chapters, because you may not know the full picture and neither does anyone else signing. "Thinking of you — whatever comes next is lucky to be getting you" works without assuming anything. If you genuinely want to stay in touch, write your number rather than saying "keep in touch".
Start it at least a week before the leaving date. Cards stall on the desk of whoever is off sick or on holiday, and the person organising it always underestimates how long it takes to reach everyone. If part of the team is remote, a digital card avoids the problem entirely, because the link reaches everyone at the same time.
Name something they actually did for you rather than praising them in general. Teachers receive a great many cards saying they were inspiring; the ones they keep say what specifically changed. A single sentence about the subject you stopped dreading, or the time they noticed something was wrong, does more than a paragraph of thanks.
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